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DrKev

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Thinking about necks - regular maple, roasted, all rosewood, mahogany, why is it we only put matching headstocks on regular maple? What about a roasted or rosewood neck with a painted headstock? Could that not be wonderful thing? Or would it be like eating Brussels sprouts with strawberries?
 

coldsummer

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I'm not sure that it would look right, but you never know for sure until it is tried. Maybe there is a technical reason for not painting r/w headstocks? It would certainly be different.
 

mtrejo

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I'm with you Kev, I think it would look great. Generally speaking, I don't have a preference for one over the other.

Picturing the all rosewood neck AL with, say a classic white, matching headstock could be really attractive.

Perhaps the darker wood necks (roasted/all rosewood) could contrast in a nice way.
 

Sweat

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For me the matching head stock thing is easy;

Normal maple neck with a dark fret board(rosewood,ebony, etc.) matching head stock is great
Any other necks and fret boards matching need not apply:)

Maple fret boards look better with non matching as do all the rosewood and roasted variations.

But to each their own likes and dislikes:)
 

TNT

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I kinda look at "matching" headstock as a case by case thing. I don't go in saying, "I need/or don't need a matching......."

It's kinda like "part of the package", so I guess it just depends..............??????? Overall I prolly prefer a maple fretboard with a maple headstock.
 

Tollywood

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Yes, I agree, classic white or white pearl against the rosewood could be gorgeous, but I'm not sure how I'd feel about, say, Bodhi Blue. So that's why I pose the question - what do other people think?

Hello Dr Kev,

I prefer matching headstocks, especially when it's a burst body with a matching burst headstock.
 
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