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Antoine

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Jul 23, 2003
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247
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Bastia/FRANCE
The Lonestar Special is very different then
the Lonestar Classic...

& I agree with your assement of the Special.. it's also not to my taste either.
Breaks up way too early & if the overdrive is turned up too much, it totally mushes out. It's intended to be played by guys who favor the old tweed sound & feel.

Here's are some of the big differences between the two amps in the Lonestar Series:

The Lonestar Special:
Power Amp Tubes=EL34's
Pre-Amp Tubes=EL84's
Variable wattage ratings of 5/15/30

The Lonestar Classic:
Power Amp Tubes=6L6's
Pre-Amp Tubes=12AX7's
Variable wattage ratings of 25/50/100

So you can see what your dealing with: very different amps tone wise...
Obviously the Classic produces a Blackface type of Clean,
& a distortion sound based on the discontinued Maverick.
Think early Larry Carlton (Steely Dan) and/or
Santana before they got their Dumbles...
However, you can't get heavy or death metal gain or it,
but you can get some luscious thick tones (i.e. Andy Timmons, John Petrucci..)
(one thing though, the Classic does have a Tweed 25 watt option)

The Special is meant to give a player that tweed kind of early breakup,
loose, woobly, lots of sag in the attack, vintage blues or roots sound.
Think Keith Richards, Mick Taylor, Peter Green, Pete Anderson, etc.

With that being said,
The both have channel switching with different wattage choice..
share the same lush reverb choices...& also have a choice
of a Rectifier being either Diode or tube in each channel...

Lucidology, just a little correction here, the Lone Star Special doesn't have EL84's pre-amp tubes, and EL34's power tubes, in fact both are power amps tubes so it's impossible to have EL84's as pre-amp tube, the LSS has just 12ax7 pre-amp tubes and EL84's power amp tubes (same as the Vox AC-30 or some Matchless amps or Peavey Classic 30...)
Both Lone Star amps share the same 12ax7 preamp tubes, but they differ with poweramp tubes, the LSC has EL34's and the LSS ahs EL84's
 

Lucidology

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May 8, 2006
Messages
277
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Monterey, CA
Both Lone Star amps share the same 12ax7 preamp tubes, but they differ with poweramp tubes, the LSC has EL34's and the LSS ahs EL84's

Yes Antoine.. thank you so much for the correction..
somehow in my mind I combined the Stiletto Ace powertubes with the Special's...
However, the EL34's are the option with the Lonestar Classic.. 6L6's are the power tubes that come with the amp... the Lonestar Classic actually has a switch that instantly will bias the tubes if you choose to use EL34's instead of the 6L6's...

yeah i saw that page, i thought i was looking for the Lonestar Classic, but its just a normal Lonestar yeah? As opposed to the special?

Rob.. it's the regular Lonestar (classic) I'm talking about
(as reviewed in that article...)
not the Lonestar Special...(that's a very different beast...)

They don't call it the Lonestar Classic on the website... but that's the nickname it's gotten since they released the Lonestar Special last year...
 
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roburado

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Jul 18, 2005
Messages
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Location
Commerce, MI
The Lonestar Special is very different then
the Lonestar Classic...

& I agree with your assement of the Special.. it's also not to my taste either.
Breaks up way too early & if the overdrive is turned up too much, it totally mushes out. It's intended to be played by guys who favor the old tweed sound & feel.

Yeah...I should have said that I haven't tried the Classic, but I have tried the Special. Just kind of never got around to it. Hmmm...maybe today, I'll give the Classic a little workout. Anyway, I still hate the Special.
 

Lucidology

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May 8, 2006
Messages
277
Location
Monterey, CA
Rob.. are you on the market for a new amp?

If so, these aren't inexpensive,
but it's an "amp for life"
as JP Buttercream pointed out...

Might be worth selling a few items for it...
 

uvacom

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Joined
Nov 25, 2006
Messages
272
Weird...I just played the LoneStar Special today and I was like, "Dream Amp!" Then I played the classic and it was okay, but completely not me.

But then again, the only use I have for saturation in a tube amp is for the saggy tweed-stuff, and I loved the 5-watt pure class A mode. The 30-watt diode rectifier mode was nice and sparkly, but in a way that contrasted nicely to my JC-120, which is currently the amp I favor.

But really, am I the only one who preferred the special?
 

Lucidology

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May 8, 2006
Messages
277
Location
Monterey, CA
Weird...I just played the LoneStar Special today...

But then again, the only use I have for saturation in a tube amp is for the saggy tweed-stuff, and I loved the 5-watt pure class A mode. The 30-watt diode rectifier mode was nice and sparkly...

Great rundown of the Special...!!
It still has chime & sparkle,
but doesn't stay clean as you turn it up....

I think a lot of people looking for strickly
a Tweed sound will prefer the Special over the regular Lonestar....
In fact, a lot of folk who are into
low wattage Vox amps will probably also prefer the Special,,,,

The Lonestar is more of a
Fender Blackface clean (i.e.Twin, Super Reverb)
as opposed to the Special being more of a
Fender Tweed or Vox clean (i.e. very early breakup..)
 
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SteveB

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Sep 3, 2004
Messages
6,192
Location
Pittsburgh, PA
Somebody stop this thread! You guys are making me want a Lonestar amp!
:)

I'll have to try one next week now... and all this NAMM teasing from Dargin, too! Ugh!:p
 

Lucidology

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Joined
May 8, 2006
Messages
277
Location
Monterey, CA
While I was demo-ing the amp in the store
(Guitar Showcase in San Jose..)

One of the sales guys, Jack,
called a friend of his who is one of the main dudes
at the actual Petaluma Mesa Boogie factory...
He gave me the rundown on where to start
in order to discover the best settings...

What most people don't understand
about the active, tube controlled EQ knobs on the Lonestar amps
is that noon (straight up) is actually a neutral setting...
So a turn to your left is a minus... turn to the right is a Plus...
On most amps neutral is at the start of the knob, 6:30 (-0)..

This was a great help in setting the controls to taste...

Plus, in the overdrive channel when the gain knob is being used
(as it can be bypassed all together for just a big ol' Texas blues sound...)
then the Treble knob becomes yet another gain stage possibility ...
(as also becomes the loop level knob turned up past noon..)

Often players who like are looking for a lot of gain & try it out in the store,
come out saying it doesn't have enough meat available for them...
It's only because you have to learn to dial it in...

& those who aren't looking for a lot of meat (gain)
have less of a learning curve...

Plus, this amp is capable of a lot of Bass...
Thumping bottom-end bass for those that want it..
(I use the bass at about -1 on the gain channel..)
About 11:00 on the clean channel..

Andy Timmons described the Lonestar something like this:
"Ya gotta love an amp where you get to turn up the treble,
instead of having to instantly back it way off as you usually do
on almost any other amp ..."

(I'll find his interview about the Lonestar & post it for the exact words..)
 
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roburado

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Joined
Jul 18, 2005
Messages
6,089
Location
Commerce, MI
While I was demo-ing the amp in the store
(Guitar Showcase in San Jose..)

One of the sales guys, Jack,
called a friend of his who is one of the main dudes
at the actual Petaluma Mesa Boogie factory...
He gave me the rundown on where to start
in order to discover the best settings...
Man, try that in any other region of the country. Not going to happen. That's sweet!

I remember when Mark Snyder was a Mesa Rep in the NY area. I think maybe someone like that would be able to give you information like what you got, Lucid, but I doubt many people are going to be able to go into a store and have a salesman call his buddy who happens to work for Mesa.
 
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Roxy

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Jul 1, 2005
Messages
343
Location
Central Ohio
I love the LS Special for tweed/Vox blues tones. When you get some time, read Randall Smith's paper on Class A and the LS Special.

The LSS can be a bit more "brash" sounding, but for old blues it's awesome. The Classic is more jazzy "upscale" sounding. I love them both.

For those interested in further MESA discussion checkout:

http://forum.grailtone.com/
 

fsmith

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Joined
Oct 30, 2003
Messages
2,297
Location
Halethorpe, MD
Somebody stop this thread! You guys are making me want a Lonestar amp!
:)

I'll have to try one next week now... and all this NAMM teasing from Dargin, too! Ugh!:p


Steve,
While you're at it check out the new Stiletto Ace as well. If you require any sort of gain this can be one mean sumbitch. I'm really liking the cleans as well. Fat Clean is just incredible. It may not be as nice as the Lonstar's clean but it was much more versatile for me in having so many different voices in one amp. For a 2 channel amp it really delivers. It was earvana from the first chord.

fred
 

francric

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Joined
Jan 26, 2005
Messages
2,511
Location
North Carolina
I think maybe someone like that would be able to give you information like what you got, Lucid, but I doubt many people are going to be able to go into a store and have a salesman call his buddy who happens to work for Mesa.

You don't need to have a salesman call Mesa, you can call Mesa directly. They are a friendly, knowledgeable staff willing to help and answer all questions.

For those interested in further MESA discussion checkout:

The Boogie Board :: Index

Yes, check that place out. Lot's of good people and answers.
 

Philip

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Joined
Jun 13, 2005
Messages
773
Location
Poland
man I totally forgot about this site IBANEZ 2007

just click on the artists headline then (electric guitar) and choose Andy Timmons. There will be two vids. One showing his rig and beautiful sounds of Lonestar and second when he is playing one of the song from Resolution (don't look at Ib@nez guitars though ;) )
 

SteveB

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Sep 3, 2004
Messages
6,192
Location
Pittsburgh, PA
Steve,
While you're at it check out the new Stiletto Ace as well. If you require any sort of gain this can be one mean sumbitch. I'm really liking the cleans as well. Fat Clean is just incredible. It may not be as nice as the Lonstar's clean but it was much more versatile for me in having so many different voices in one amp. For a 2 channel amp it really delivers. It was earvana from the first chord.

fred

Curse.. er, umm... Thank You, Fred! ;) That amp sounds pretty cool, too. I've seen them in my local store but never plugged in.
 

Lucidology

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Joined
May 8, 2006
Messages
277
Location
Monterey, CA
Steve,
While you're at it check out the new Stiletto Ace as well. If you require any sort of gain this can be one mean sumbitch. I'm really liking the cleans as well. Fat Clean is just incredible. It may not be as nice as the Lonstar's clean but it was much more versatile for me in having so many different voices in one amp. For a 2 channel amp it really delivers. It was earvana from the first chord.

fred


Very True... the Stiletto Ace is also a great amp....

Before I choose the Lonestar Classic,
I bought the Stiletto Ace...
It's a screamer... loads of gain, closed back, EL34's...
Cutts like a knife, yet also can be very smooth & full sounding at the same time...
The notes are very immediate & percussive...

The reason I brought it back, though the cleans were very good,
they were just not that Blackface, pristine type of sparkley clean I prefer...
The cleans on the Stiletto are very fat as described by fsmith,
but they still maintain a tiny touch of grit even at it's cleanest setting...
Mesa describes this sound as a British clean,
whereas they call the Lonestar's, an American clean....

I hadn't played the Lonestar yet because
I was so taken by the powerful surge of the Stiletto Ace...
It's very seductive...
However, when I played the Lonestar,
I immediately knew it fit my funky,
loud Jazz Fusion & Smooth Jazz style much better...
It's has more bloom to the notes ...
However, both Amps sustain beautifully...
 
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