mesavox
Well-known member
Big Poppa said:Hey lets not run off our cousins that own an olp. Those OLP royalties help fund this baby. There were seeveral reasons why we did the OLP thing the first is we were being ripped off right and left by weasels. So we decided to develop a strategy that enabled us to participate in the price point but stay focused on making USA guitars and basses. One of the biggest reasons was to give people the opportunity to play their way to an original.
Question...How many reading this first bought an olp?
how many have or have owned an olp?
SOme of the specialty guitars like the double neck and the baritone are really kind of fun especially when the usa baritone is a little expensive for how often you would use it but is great to own.
I'm a fairly big fan of the OLPs because of just that.... I just know that when someone says it plays just like an Axis they have some sort of memory block of how they felt compared to each other. That OLP baritone has come in more than handy for us but it still needs a pickup upgrade pretty bad, and needs the bridge replaced with.... well, I don't know. I wish I could find a hardtail MM bridge somewhere from a otherwise dead MM guitar. But, I'm sure we'll find something that will work.
The thing I was most impressed with in the OLP bari was it's very light weight. Usually liscenced and lower end guitars are considerably heavier and this one wasn't. China is not known for poor workmanship like some of the other places low end models are made. I've found the OLPs to be on par with the 4-500 dollar range Ibanez Korean guitars which are obviously a bit more expensive on average so more kudos to OLP for that.
All the same, I think it's fair to MM to note that putting my JPM7 next to the OLP and there is no comparison in fit, finish, playability, sound, etc. But, there isn't any comparison next to a lot of guitars I've set it next to either.