jaxadam
Well-known member
I love it. I'll take two.
Dave
Please understand that I wasnt picking on you in anyway shape or form Just responding.
i also didnt say you said sucks, but know that generally the more eloquent you phrase your personal opinion the more respectful the dialogue is. Not singling you out taking the opportunity to point it out.
Hi everyone. I have a minute here in the studio and I thought I'd drop a line and let you know my thoughts about the latest JP design. First of all, a huge thanks to Sterling for never straying from his original commitment to me which was to build me the ultimate guitar, the ultimate tool and not stop until it's right. You are the best! Also, to Dudley and Drew, thanks for all of your hard work in making this guitar...the many different protos and phone conversations. You are both truly artists in this field. Let me also start by saying that I still love my current JP model and will continue to play it and stand by it. So, on to the latest model... First of all it's an absolute work of art and is brilliantly crafted. You really have to see it in person to fully appreciate how stunning it is. I started tracking with it yesterday, and the combination of alder with the mahogany block and maple top, along with the mahogany neck makes for the best sounding guitar I've ever heard. The guitar rings like a monster stirred from a deep hibernation with the full sonic spectrum being resonant and in your face. As for the design changes, my idea was to take the current model to the next level as far as hot rodding. Think of it as a Petrucci muscle car/guitar. The change in the bottom horn and slight body and contour changes all have to do with fret access and technique facilitation. The pickup rings were added for aesthetics and flexibility and present no problems for me. Anyway, I can go on and on, but there's my initial reaction to the guitar after having it now for 24 hours. Thanks for all of your interest, passion and support for this guitar and Ernie Ball!
All the best,
John Petrucci
In-friggin'-credible... JP shows up to give some insight into his design choices!![]()
You rock, sir!![]()
Hi everyone. I have a minute here in the studio and I thought I'd drop a line and let you know my thoughts about the latest JP design. First of all, a huge thanks to Sterling for never straying from his original commitment to me which was to build me the ultimate guitar, the ultimate tool and not stop until it's right. You are the best! Also, to Dudley and Drew, thanks for all of your hard work in making this guitar...the many different protos and phone conversations. You are both truly artists in this field. Let me also start by saying that I still love my current JP model and will continue to play it and stand by it. So, on to the latest model... First of all it's an absolute work of art and is brilliantly crafted. You really have to see it in person to fully appreciate how stunning it is. I started tracking with it yesterday, and the combination of alder with the mahogany block and maple top, along with the mahogany neck makes for the best sounding guitar I've ever heard. The guitar rings like a monster stirred from a deep hibernation with the full sonic spectrum being resonant and in your face. As for the design changes, my idea was to take the current model to the next level as far as hot rodding. Think of it as a Petrucci muscle car/guitar. The change in the bottom horn and slight body and contour changes all have to do with fret access and technique facilitation. The pickup rings were added for aesthetics and flexibility and present no problems for me. Anyway, I can go on and on, but there's my initial reaction to the guitar after having it now for 24 hours. Thanks for all of your interest, passion and support for this guitar and Ernie Ball!
All the best,
John Petrucci
Welcome John -
In-friggin'-credible indeed![]()
I for one can't wait to hear this beast!The guitar rings like a monster stirred from a deep hibernation
HOW COOL IS IT THAT JP DROPPED EVERYTHING AND POSTED HERE???????