Big Poppa
Well-known member
Phatty asked Ray and Jack how they could play so many sets...It was interesting and I thought rather than bury it in Ray's new baby thread that I would recreate it and let it go....
Phatty posted:
ya know.. i dont wanna get OT here but seriously... how do you guys play such long sets? or even multiple sets...
after 1 set im done with .... you cant even talk to me for 30 minutes after i get off stage cuz im so tired. 1 hour, 20 songs... bye bye.
rock on.
Then jack responded:
It's the reality of the bar band, Arin.
We played a long one Saturday night, 9 pm - 1 am, that's what the bars expect and it's generally what we do.
Our band has been spoiled lately with playing showcases and festivals and that sort of thing and we can burn it down for an hour, hour and a half, but the three or four hour bar gig is the norm.
How do we do it?
We drink
Bp said:
I usually show up in the second set and my chops leave somewhere in the third.
Arin, this is where live music has changed. You kids do "shows" us diaper wearing know it alls play "gigs".
Gettng ready for gigs used to entail a lot of practice and jamming. I grew up playing 60's stuff, beatles, stones, then came zeppelin, cream, hendrix, then drifted in allman bros, always tons of white orange country blues, shuffles, to some progessive stuff (even had a bowie cover band when Zuggy Stardust came out) Always at the same time loved western swing and outlaw country. That is the foundation of my playing the genetics so to speak.
I used to put so much into it that my fingers bled...I have pictures somewhere with Steve Morse and Big Al in Japan with the three of us playing in some Japanese club with Blood dripping off my pickguard. Over the years I figured it out a little better thanks to John Ferraro, ( who is the most underated musician I know) He taught me to control my breathing, and tension control, and to stay a little more in the present.
At the Dallas Bash watch him closely...no matter how hard driving the music is he is loose and in control. I watch a lot of punk bands and it reminds me of myself 30 years ago, Think of a carpenter and watch how he swings the hammer.....loose baby, us hobbiest carpenters swing the hammer really stiff using every muscle possible. You can play the same stuff and more if you take the tension out. My attack is still probably a little harder than most and I tend to drive the bass rather than sit in the back beat....My playing is really a reflection of my personality and experience and musical upbringing now. I haven't played a full gig in six months but can go out and play for four hours and its like riding a bike. (I just fall off more these days)
Ray sorry for the Hi jack this probably should be cut and pasted into a new thread.
By the way Aussie mark pointed out the the international standard for cover bands s three or four sets.
Phatty posted:
ya know.. i dont wanna get OT here but seriously... how do you guys play such long sets? or even multiple sets...
after 1 set im done with .... you cant even talk to me for 30 minutes after i get off stage cuz im so tired. 1 hour, 20 songs... bye bye.
rock on.
Then jack responded:
It's the reality of the bar band, Arin.
We played a long one Saturday night, 9 pm - 1 am, that's what the bars expect and it's generally what we do.
Our band has been spoiled lately with playing showcases and festivals and that sort of thing and we can burn it down for an hour, hour and a half, but the three or four hour bar gig is the norm.
How do we do it?
We drink
Bp said:
I usually show up in the second set and my chops leave somewhere in the third.
Arin, this is where live music has changed. You kids do "shows" us diaper wearing know it alls play "gigs".
Gettng ready for gigs used to entail a lot of practice and jamming. I grew up playing 60's stuff, beatles, stones, then came zeppelin, cream, hendrix, then drifted in allman bros, always tons of white orange country blues, shuffles, to some progessive stuff (even had a bowie cover band when Zuggy Stardust came out) Always at the same time loved western swing and outlaw country. That is the foundation of my playing the genetics so to speak.
I used to put so much into it that my fingers bled...I have pictures somewhere with Steve Morse and Big Al in Japan with the three of us playing in some Japanese club with Blood dripping off my pickguard. Over the years I figured it out a little better thanks to John Ferraro, ( who is the most underated musician I know) He taught me to control my breathing, and tension control, and to stay a little more in the present.
At the Dallas Bash watch him closely...no matter how hard driving the music is he is loose and in control. I watch a lot of punk bands and it reminds me of myself 30 years ago, Think of a carpenter and watch how he swings the hammer.....loose baby, us hobbiest carpenters swing the hammer really stiff using every muscle possible. You can play the same stuff and more if you take the tension out. My attack is still probably a little harder than most and I tend to drive the bass rather than sit in the back beat....My playing is really a reflection of my personality and experience and musical upbringing now. I haven't played a full gig in six months but can go out and play for four hours and its like riding a bike. (I just fall off more these days)
Ray sorry for the Hi jack this probably should be cut and pasted into a new thread.
By the way Aussie mark pointed out the the international standard for cover bands s three or four sets.
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