barry I love your posts because it stirs the old memory.
It was Dennis Kovarik who would play beer barrel polka for Leo. He is the guy that added the extra fret to the sting ray
Tommy was a lif long tinkerer up until his death. he made his own computers and was still fussing over distortion circuits at the time of his passing.
If you thinnk that straight truss rods that Leo and George were caused by a low level employee then I have some land in botswana to sell you. Tommy had irrefutable proof of this and I have said this before I said "wy dont you sue the guys" and TOmmy said "thats not how my daddy raised me."
YOu can slice it and dice it anyway you want. there were reasons for each of the splits Leo and Forrest had the intiail falling out then Forrest had a falling out with Tommy. It is just my opinion (covering my legal ass here) that Leo couldnt believe that the Sting ray and sabre guitars were such a collosal failure. His ego couldn't handle it.
The bass was a smash hit and the amps were in great demand and top top quality.
If the Leo Designed Music Man guitars had been a hit, I dont think that they would have ever parted company. The designs that G&L did were fender designs revisited, something that Tommy had no interest in. I am not bagging on G&L in any way, I consider their curren t owners the Mc Laren's to be as good as they come. It is just a fact that the guitars were based on Leos two biggest hits.
Barry I know you were there but you did not get the inside and I know your parting was bitter. I was on the inside. I remember Tommy coming over to our house on Lido in Newport and taking my dad and I outside to talk. He said "Ern, I want Sterling to come to work for me, I could really use him". My Dad said "That's up to him, but I need him too" At the time I also had an offer to go on the road with Jethro Tull on the crew. I think that I made the right choice.