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RobertB

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You're welcome, but I wasn't. ;) I've planned to make recordings of all of them for a long time, and finally get around it.

Aw, you mean it wasn't just for me, personally?? Kidding, I figured you were planning to do the 30th and others eventually - just thought maybe I could affect the order. =) Anyway, I got to hear what I wanted to hear, so still .. thanks.

Also eager to hear the 20th - forgot about that one, which is crazy, cuz it's still my favorite StingRay. Eager to hear the Ebony Edition too, when you get to that one.

I totally agree that despite subtle differences, the essence and spirit of each & all of them is consistent - especially when considering the various single H models (the HH sounds are definitely discernible). One observation/opinion about this that I've always had, though, is that the differences between them are quite a bit more pronounced when playing slap. To me, that's when the otherwise more subtle differences really come out.

Now, don't take me the wrong way - I'm not saying you "shoulda" done slap samples, or "should" do them. I know it takes time, effort, patience and persistence to do what you've done here, and in the way you've done it, which is superb. The permutations would explode if you did all possibilities, including fretless, etc...

And let me take a second to emphasize prolly the coolest thing about this set of samples - these are all basses you own ... that is a FINE collection, Oli. It's been fun watching you get them together over time.
 

RobertB

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Very cool project you have here Oli.

I didn't know you could get sound out of the 30th Anniversary without the battery? How??

Yeah, when I had mine, I played it quite happily for a little while before realizing that it didn't ship (from the dealer) with a battery, and that I'd been playing passive. Imagine how happy I was when I popped that sucker in.
 

RaginRog

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Yeah, when I had mine, I played it quite happily for a little while before realizing that it didn't ship (from the dealer) with a battery, and that I'd been playing passive. Imagine how happy I was when I popped that sucker in.

Oh Wow...I had one for a short while and didn't realize it. I might have kept it had I known! :D

Probably not though...I prefer 2 pickup models. Still a very cool feature.
 

oli@bass

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I figured you were planning to do the 30th and others eventually - just thought maybe I could affect the order.

...and you did :D

Also eager to hear the 20th - forgot about that one, which is crazy, cuz it's still my favorite StingRay. Eager to hear the Ebony Edition too, when you get to that one.

Me too. My plan for now is to add a new set of samples every weekend.

One observation/opinion about this that I've always had, though, is that the differences between them are quite a bit more pronounced when playing slap.

Interesting. I'm not much of a slapper, which is probably the reason why I think basses start to sound more alike when slapping. But I definitely would like to add samples for fretless, where in my opinion the differences in the natural sound of the wood are most pronounced.

And let me take a second to emphasize prolly the coolest thing about this set of samples - these are all basses you own ... that is a FINE collection, Oli. It's been fun watching you get them together over time.

Thanks. But I'll not keep all of them. The Dargie already found a new home. The anniversaries will follow, when the market is back to normal (they are currently sold way way under value).

Yeah, when I had mine, I played it quite happily for a little while before realizing that it didn't ship (from the dealer) with a battery, and that I'd been playing passive. Imagine how happy I was when I popped that sucker in.

First, it is yours that you are hearing! Second, I came across this by mistake as well. After reading Musicman Nut's http://www.ernieball.com/forums/music-man-basses/41777-warning.html thread, I took the batteries out on those I rarely play. When I started to record with the 30th, I had all forgotten about that and wondered why its output was so much lower than the others. Only after trying to tweak the EQ, I realised that it missed a battery!

I didn't know a passive mode was possible on these?

In my experience, it works with all StingRays, regardless of configuration. The output is just very, very low, so you might not hear it with your normal amp settings.
 

RaginRog

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First, it is yours that you are hearing! Second, I came across this by mistake as well. After reading Musicman Nut's http://www.ernieball.com/forums/music-man-basses/41777-warning.html thread, I took the batteries out on those I rarely play. When I started to record with the 30th, I had all forgotten about that and wondered why its output was so much lower than the others. Only after trying to tweak the EQ, I realised that it missed a battery!



In my experience, it works with all StingRays, regardless of configuration. The output is just very, very low, so you might not hear it with your normal amp settings.



Oh, okay...I thought it was some option. Thanks Oli
 

oli@bass

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Added examples of

20th Anniversary StingRay

Hear the sound of a StingRay with maple top on ash body and 3 band EQ, even in passive mode (without a battery).

See first post. Enjoy.


(This is especially for you, Robert)
 

legion

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Sep 5, 2007
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UK
Nice work - will check these out later when I get home.

I'm scared about the Ebony Edition though, I'm struggling to find a good reason not to buy one. Hearing how good it sounds is probably going to be the final straw :)
 

vibhas_2310

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Feb 22, 2010
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Mumbai, India
Hey Oli !!! Thanks for all the samples . I wanna ask you about the stingray with a Graphite Neck . What did u think of the status neck ? How is its overall feel ? Did you like it ??

I'm planning to make my own custom Bass and was Planning to use a Status Graphite Music Man replacement 5 string neck and bolting it on to a Swamp ash body . Thats why I'm asking .

Thanks !!
Vibhas :)
 

oli@bass

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What did u think of the status neck ? How is its overall feel ? Did you like it ??

Neutral: The dimensions and curves are very similar to a standard StingRay neck (but not identical) and it feels reasonably close. The fretwork is good but fret size is smaller with a larger fretboard radius. It plays well with low to very low action.

Frankly? I hate it. Otherwise the NAMM 'Ray would possibly have become my go-to bass. Similar story with the 30th Anniversary 'Ray. I absolutely don't like gloss finished necks. My '88 fretless with its worn in neck feels ok but I still prefer the oil & wax finish. Which is also the reason for not ordering a Classic 'Ray.
 

kevins

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Feb 13, 2005
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are you gonna try the flatwounds eventually? you should do it! flatwounds are pretty great
 

vibhas_2310

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Feb 22, 2010
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Mumbai, India
Neutral: The dimensions and curves are very similar to a standard StingRay neck (but not identical) and it feels reasonably close. The fretwork is good but fret size is smaller with a larger fretboard radius. It plays well with low to very low action.


So would you recommend that neck for building a custom music-man style bass ???
 

vibhas_2310

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Feb 22, 2010
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Mumbai, India
I really like the stability of Graphite . I live in India and here the weather changes like crazy . I'm sick and tired of my guitars warping and twisting all the time . I'm not dissing the Music-Man basses . They are great and I really like them . WOuld recommend them to everyone . Just to give u and example , here Ernie Ball strings get some rust in 2 weeks . Thats how bad the humidity is here . Many people here have Warwicks and I think Ovangkol necks are the only ones I've seen not really affected by the humidity .

If I make a custom music man style bass that comes to $ 1350 . I save some money and also I get what I want .

Cheers !! :)
 
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