cellkirk74
Well-known member
So far....im pretty impressed. Ive heard a lot of people raving about this bass, and they have done a good job with the volume levels active/passive etc. The only thing this one has is a tad low volume on the neck pup, but if I get that when I order one, Ill raise the pickup! The rest is even.
The amount of subtle changes you can make is nice. The E sounds huge, so Im betting a B string does.
I definitely like the neck, which as mentioned is the Sterling 4 H neck.
It isnt the same as a Ray, and I wouldnt expect it to be. Its more 'old school' as in less obviously in your face, but it still can be. Its like EBMMs progression from a P/J bass, to something thats totally different, yet does those old tones in a unique and MASSIVE way. The bridge pup output in passive is so much more controlled and pleasing than a MIA 7ender Jazz.
I think I can see a 4 H and 5 SSS in my sights. At first I was a little like 'oh, I want it to sound like a Stingray'....but I have 2 (and one more incoming) Rays so whats the point of that? Its different, its a progression, and its not in any way difficult to work out how to use it. I dont understand why people are worried about the extra buttons....it works well and the buttons are solid.
I can see them being fantastic for studio work when you want to nail lots of tones but give a very pleasing full signal and have a very well made bass.
At the moment, fingertyle sounds the best...its less in your face and more warm/old school, but slap with the bridge is so in your face its hard to ignore!
No problems slapping with those pups btw....
Yeah, you can love a Big Al 4 or SSS for sure. I was able to compare both modells today and they are equally great with the 5er benefitting from the mahogaany, beeing lighter than my alder 4 banger. Both are versatile as hell and have enough punch for everything I can imagine.
That said, the 25tr 5er has my favorite 5 string neck profile since we had one of those here too.
I am off to play the lottery....