Tim O'Sullivan
Well-known member
Luke, Now JP... Does Albert Lee have a computer?!
WOW!! We are getting close!!! Pete turn of your phone and shut down your email. You won't have life in near future![]()
As a former employee of that particular store I can say - don't bother. Ever tried banging your head against a brick wall? Ever get anywhere? Let them be ignorant, that's the way they like it. You know why? They cannot sell you a proto that's not hanging on their wall. If you can't buy it today, the salesman is not really interested in what you have to say.
There you have it. Making this guitar for JP is when you find out just how good you are as a team and company. It's easy to sit back and think your're real good, but this is when you have to back it up.
I believe that this guitar was an exercise in proving the teams interpretation,design and execution of the dreams and wishes from one on the most gifted and precise guitarist's in history.
It was a no pain no gain deal and I appreciate john's patience as he appreciated ours.
Now before I tear a rotator cuff congratulating ourselves...back to our regular programming.
HOW COOL IS IT THAT JP DROPPED EVERYTHING AND POSTED HERE???????
Hi everyone. I have a minute here in the studio and I thought I'd drop a line and let you know my thoughts about the latest JP design. First of all, a huge thanks to Sterling for never straying from his original commitment to me which was to build me the ultimate guitar, the ultimate tool and not stop until it's right. You are the best! Also, to Dudley and Drew, thanks for all of your hard work in making this guitar...the many different protos and phone conversations. You are both truly artists in this field. Let me also start by saying that I still love my current JP model and will continue to play it and stand by it. So, on to the latest model... First of all it's an absolute work of art and is brilliantly crafted. You really have to see it in person to fully appreciate how stunning it is. I started tracking with it yesterday, and the combination of alder with the mahogany block and maple top, along with the mahogany neck makes for the best sounding guitar I've ever heard. The guitar rings like a monster stirred from a deep hibernation with the full sonic spectrum being resonant and in your face. As for the design changes, my idea was to take the current model to the next level as far as hot rodding. Think of it as a Petrucci muscle car/guitar. The change in the bottom horn and slight body and contour changes all have to do with fret access and technique facilitation. The pickup rings were added for aesthetics and flexibility and present no problems for me. Anyway, I can go on and on, but there's my initial reaction to the guitar after having it now for 24 hours. Thanks for all of your interest, passion and support for this guitar and Ernie Ball!
All the best,
John Petrucci
This is the BEST forum on the internet!
Hi everyone. I have a minute here in the studio and I thought I'd drop a line and let you know my thoughts about the latest JP design. First of all, a huge thanks to Sterling for never straying from his original commitment to me which was to build me the ultimate guitar, the ultimate tool and not stop until it's right. You are the best! Also, to Dudley and Drew, thanks for all of your hard work in making this guitar...the many different protos and phone conversations. You are both truly artists in this field. Let me also start by saying that I still love my current JP model and will continue to play it and stand by it. So, on to the latest model... First of all it's an absolute work of art and is brilliantly crafted. You really have to see it in person to fully appreciate how stunning it is. I started tracking with it yesterday, and the combination of alder with the mahogany block and maple top, along with the mahogany neck makes for the best sounding guitar I've ever heard. The guitar rings like a monster stirred from a deep hibernation with the full sonic spectrum being resonant and in your face. As for the design changes, my idea was to take the current model to the next level as far as hot rodding. Think of it as a Petrucci muscle car/guitar. The change in the bottom horn and slight body and contour changes all have to do with fret access and technique facilitation. The pickup rings were added for aesthetics and flexibility and present no problems for me. Anyway, I can go on and on, but there's my initial reaction to the guitar after having it now for 24 hours. Thanks for all of your interest, passion and support for this guitar and Ernie Ball!
All the best,
John Petrucci
Welcome to the addiction!
(I had to do it.....really....)![]()
I'm always a little disappointed when people post negative comments about new products/prototypes here. Please remember Big Poppa is sharing things with us that other companies would never ever dream of sharing. Have a little faith in the EBMM team. They have never let us down yet. I can't wait to see them.