DrGonzo5150
Well-known member
I agree 100%...
It's like any restoration... cars, bikes etc
It does get overwhelming and it certainly can cost you more than expected, but is that really what it's about?
How good is it going to feel when you come out the otherside?
My first ever EBMM, my red luke 1 has sustained 'irreparable damage' on a few occasions. I was told not even to bother. But with help from Dizz, i found a luthier who would give it a crack... the neck was glued...and then lacquered for strength... and sanded back for the raw wood feel again. When it was all said and done, it played and sounded awesome and remained my main gig axe.
Two weeks ago my singer was headbanging next to me on stage and head banged right into the headstock... Hard.
Repairs weren't as serious and i did it myself... doesn't look as pretty but has epic mojo and I love it.
I am 100% positive if you hang in there and just do what you want to do with it, you will be so stoked with the end result.
It's like any restoration... cars, bikes etc
It does get overwhelming and it certainly can cost you more than expected, but is that really what it's about?
How good is it going to feel when you come out the otherside?
My first ever EBMM, my red luke 1 has sustained 'irreparable damage' on a few occasions. I was told not even to bother. But with help from Dizz, i found a luthier who would give it a crack... the neck was glued...and then lacquered for strength... and sanded back for the raw wood feel again. When it was all said and done, it played and sounded awesome and remained my main gig axe.
Two weeks ago my singer was headbanging next to me on stage and head banged right into the headstock... Hard.
Repairs weren't as serious and i did it myself... doesn't look as pretty but has epic mojo and I love it.
I am 100% positive if you hang in there and just do what you want to do with it, you will be so stoked with the end result.