- Thread starter ozzyrules
- Start date
mikeller
Well-known member
I cut the plain end and lock in into the Floyd, then feed the ball end under the tension bar so as to not scratch the finish, then leave some slack for a couple windings around the tuning key and cut the ball off.
I know the other way is easier, but I don't like the looks of it (sorry) and think I get tidier job.
I know the other way is easier, but I don't like the looks of it (sorry) and think I get tidier job.
OU812
Well-known member
bsteff666
Well-known member
Could it be...if the string breaks at the saddle...you can unwind more string & cut & re-clamp it?
cjl5150
Well-known member
Yep. Been doing it that way for a couple of decades
ozzyrules
Well-known member
Ha, Neale, I still feel bad. I'm looking into NAMM right now. I really want to make it this year.We like Ozzy's guitar!!!! It's the one that ran away...... Thats a pretty impressive signature their buddy...are you going to NAMM.
You and Neale need to get a room. Lol
TNT
Well-known member
Bells/whistles!!!!
It's worth it's weight in gold!
In fact, just yesterday during a song, my 6th string broke at the saddle (unusual for this string) @15 seconds into the song. I was able to crack the nut clamp & string block screw, cut off @ 3/16 off the broken end, bring new string down the pike, retighten all and finish the song with @ 1/3 left!!
And, if you have practice guitars that you allow string life to have indefinite extention on, then it's the perfect way to get full use of strings (up to 2 or 3 breaks!)
wired
Well-known member
I always cut the ball off
Soulkeeper
Well-known member
One would think that the ball ends prevent the strings from slipping, just like locking tuners do.
OU812
Well-known member
If you're popping strings at the saddles, you have issues that need to be addressed with a burr somewhere.
ozzyrules
Well-known member
Now that's just wrong in every way imaginable; unless it's a jam room with hot chics & tons of killer EBMM's ,and tube amps, and, well you get the picture.
