Smallmouth_Bass
Well-known member
The Sterling 5 (and Big Al 5) is slightly narrower than SR5. The spacing may even be the same, the neck is just smaller.
But I don't want a different brand of truck silly goose. I've found that after I got used to less leg room it has made me a better driver by putting me close to the steering wheel. It felt weird at first but now I'm totally used to it and being in trucks with more legroom seems.....well kinda funny.
OK Let me first off explain and apologize...I was not calling the op on tb a pasty faced dweeb (I have never been to tb.....seriously) I was talking about some experts....even on this forum and my smoking forums...so Im sorry that it came off like I was assailing him. I wasnt. Please accept my apology...It was a dry humorous characterization of a keyboard warrior.
Let me try to explain our reasoning...We make guitars in a very nice little town in central california...it is a college town and we used to make strings and everything there. It is the third most expensive place to live when you compare median income vs housing affordability...What does this have to do with the subject? As it is we make over 120,000 combinations. Between all of the other models of everything we just never put the 19mm or 35" scale length of a 5er on the priority list. Right now we are introducing the Luke 3 and working on new stuff for other artists. We cannot grow where we are and just try to keep making enough to keep the dealers and customers happy and us relevant.
On the guitar side we have many that want a gibson scale...the want a set neck..they want floyds on more and stainless frets....If we dont offer something that you want it isnt that what you want is not valid...someday you may see a 19mm spaced fiver...it will probably be driven by an artist...thats how most comes from the guitar side....once we do it for the artist then it is pretty easy to get into production
On this forum I ask that people dont pm me and that they dont ask strangers for technical advise. It falls on deaf ears. I get pmmed and people give advice without seeing the guitar and we end up having to fix a bigger problem...We have those experts here....I like cheetos too but my diet doesnt
On that day, the endless quest for exact string spacing and the perfect pedal and the ideal neck profile and the unequaled combination of pickup and preamp ends... and you conclude that if it sounds/plays/feels good, it is good and the piece parts don't matter, not even a little bit.
The day I decided to buy a Bongo was that day for me. I lost all interest in talking about strings and preamps and pickups and wood and scale length and....
Other than being challenged for what I havent done lets try to not make this about me...or TB Hopefully Ive answered the question.
Big Harry...What is the very creative part? Was that a dig or a compliment? I bought this Music Man out of bankruptcy and with Dudley we created instruments with a shared vision....Now there is another generation of engineers that we mentor. If you want to know about the Bongo Jack has the history. The Big Al is something I have always wanted to do....a 3 single coil bass...again there is history there you can search. The Sterling was going to be that in 1993 but the pickup technology and electronics were not up to snuff at this time. If you are questioning the validity of the Bongo or Big Al...because you feel the 19mm is more valid you are certainly entitled to that opinion...I am very proud of both those designs....Almost thirty years ago I invested my money, time and blood trying to create tools for artists...
As I said already said that the probability of a 19mm spaced bass would have its origins with an artists request...so far none has asked. I never referred to a 19mm spaced bass as zany.
Im sure that there are many that believe they could have done a better job with Music Man and probably they are out there....I would love to see more young companies making unique instruments.
IF AN ENDORSED ARTIST WANTS A 19MM SPACED 5ER THEN YOU WILL PROBABLY SEE IT.