bkrumme
Well-known member
The only thing I'm wondering now is if it will end up staying, kinda like the SMY2D, or if it's going to be a limited run...
The only thing I'm wondering now is if it will end up staying, kinda like the SMY2D, or if it's going to be a limited run...
A while back BP said that this would be a new guitar and a new addition to the JP series of guitars so I'm wondering if this config (color, black hardware) will only be offered this year and then next year it becomes available in the usual colors and the regular chrome equipment... kinda like the 25th/Reflex deal. Whatever happens, it will be mine... oh yes, it will be mine.
two if offered in 7 string.
Piezo is not an option I don't think... it's standard from what I can tell. This looks like a modified BFR, rather than a modified JP6.
Other random things that have struck me since seeing this. lol
With the way JP holds his guitar, the symmetrical body makes a lot of sense. For those who don't wear it that high, the asymmetrical might make more sense. When BP said slightly bigger body, I immediately figured it would have a lot to do with the forearm area. It will thus be interesting to see what guitar JP moves forward with as his main ax.
The five way is less attractive to me for stage use, but way more attractive to me for studio use. I suspect this guitar will gain a reputation as a very studio friendly guitar.
The upper horn seems like a cosmetic preference. I think JP was just after a more aggressive look here.
The larger frets... that is interesting. I've always thought that it seemed my Ibby JPMs had bigger frets than any of my MM JPs have had. I like the MMs better in this respect, but most shredders like bigger frets. This also made me wonder if the ebony fretboard is something JP likes the tone of, but maybe it feels a little slick, so he wanted taller frets? Probably not, but a crazy thought anyway. lol I've heard that scalloped frets are easier to play from some folks, and harder to play from others. I'm guessing the taller frets on this guitar is having something to do with that kind of touch. I know that Mark Wood's violins have taller frets so as to more closely simulate the effect of having no frets for the player.
Chambers... I'd think that this will reduce the midrange, but they're in the alder so maybe it will reduce the bass instead? I would guess the number of chambers was specifically tuned in some manner or another.
I'm most surprised by the 5 way selector because JP has in recent years used the middle position even less and less (even had that box made to make the bridge position sound more single coily so he didn't have to move the switch during a sound change.) I'd be curious to know what inspired his desire to have more options here.
great pointI think it's cool that JP continues to innovate on his Sig model. The core guitar is the same as when he joined EBMM, but he continues to experiment, which gives us more options to play with. It's also a testament (from the outside looking in) to his enjoyment of working with Sterling and place in the EBMM family.
What is this box of which you speak? Whatever it is, I don't think it's working as I have heard some horrible bridge pickup clean stuff from him these past few years. I wondered why he'd started to do that.
We normally get the scoop here first (a great benefit for sure). Although we'd probably get more if it wasn't for the negative commentators.it was really nice to get a sneak peek a week and a half before NAMM.
Crimson... I love your fire but you kind of miss the point (again) How can you tell us what JP wants....maybe you know because of hiland? hahaha
We are making tools for artists and we made this for him....several protos to get here. I didnt post sneak peaks because of guys like you who feel they have a right and are opressed if we dont seek input.
Guess what. we made JP happy. We win. If the public buys it then great double win.
For the record the biggest uproar in the history was the introduction of the BFR......people were so incensed and its now our biggest seller...this may or not repeat but Im very happy to be there for John in his progression of guitars.
Here is the deal....you made your point I wont lock the thread but things might get tough for you. Just calm down and go to the next thread or forum.
And naturally, ....I am well aware that if this is what JP wanted...then that's what he got, because it is his guitar. I'm just not impressed with it for my taste.