francric
Well-known member
Raz said:
Not exactly sure yet but I want to wait until the new model comes out next year. Hope I can hold out.......
- Thread starter fogman
- Start date
Not exactly sure yet but I want to wait until the new model comes out next year. Hope I can hold out.......
Raz
Well-known member
WHAT A NEW PET? Where did you hear this?francric said:
jimmyp
Well-known member
Colin said:
The only 7 string guitar with a high A I remember was a prototype ESP that George Lynch had made years ago. As far as I remember, a friend of mine bought it from him and modified it to low B - I haven't heard from my friend for a while so can't check if he still has it or not.
Dave
jeffrey
Well-known member
I've been an almost dedicated 7 string player for about 5 years now. I still play 6's, but I prefer 7's for flexability and chordal/scalar possibilities. 
Raz
Well-known member
Right on...oh and Fogman, if that's so then I'm not overly excited about it...jeffrey said:I've been an almost dedicated 7 string player for about 5 years now. I still play 6's, but I prefer 7's for flexability and chordal/scalar possibilities.
OrangeChannel
Well-known member
fogman said:
There is no Pet Bartione...JP uses the Silo Bass....has a couple of new ones for live use for the tunings on these walls and Panic Attack. Use the search function for the thread on the new JP prototypes....
OrangeChannel
Well-known member
Raz said:
Where have you been man? The new neck thru JP6 prototype. If it gets released. 24.75 inch scale, fixed bridge deal. Pics have been posted of the production. Never dropped pics of it finished tho'.
Raz
Well-known member
I knew about that one, I was hoping for a Y2D like version of the JP7 (give me a reason to get another one)OrangeChannel said:
zenmba
Well-known member
Raz said:Ah brother you seek the dark side...here is a quote from Rusty Cooley:
So in essence, definately more range. To me a seven string is two guitars in one, a six and a detuned six, if you will, and really easy to play...cause if I can play a seven, anyone can
Raz or any other folks, have you tried the low A tuning like the jazzers? I have experimented with both A and B. I've found bar-chording to be easier with the B tuning. However, the A opens up other interesting sounds such as octave runs using the A (fifth string).
I was simply interested in others' experiences.
Raz
Well-known member
Yes I have tried the A tuning, however I'm not much of a jazz player, more blues/rock so the B tuning makes playing the seven as easy as pie, for me.zenmba said:Raz or any other folks, have you tried the low A tuning like the jazzers? I have experimented with both A and B. I've found bar-chording to be easier with the B tuning. However, the A opens up other interesting sounds such as octave runs using the A (fifth string).
I was simply interested in others' experiences.
OrangeChannel
Well-known member
Drop A...some times drop the B to A and the E to D and leave the rest the same...
Some times I'd tune UP...and have some drone strings going on...cool stuff.
Some times I'd tune UP...and have some drone strings going on...cool stuff.
BoneTrain
Member
7 string considerations
I have a few Petrucci guitars. One is a 7 string. I dumped my 2 Ibanez 7 string guitars...a 7620 and a presige XL model. The craftsmanship was not very go on either one. Any way...there are sublte but important differences when playing the seven string. One I noticed when I went to work practicing scales and modes and then on to soloing with it. The extra string adds to the width of the area you need to mute when playing. This takes a little doing but does come naturally after a time. I use high gain amps like a Mesa Recto and a 5150. This muting can become an issue when playing intricate lines. If you are not used to the 7 string...alot of noise can leak out of your playing at first. The other small thing is the string tension. Because there is a floating bridge and an added low B, a .056, this added tension is picked up across the other string and results in a stiffer feel when playing. Bends require a bit more "oomph". While these things seem small, and they are, do just think that if you play for a few minutes your ready for the studio...I made that error but very quickly learned to respect the 7 string as its own animal. Now I love it more than ever...in a different way. Cheers!
I have a few Petrucci guitars. One is a 7 string. I dumped my 2 Ibanez 7 string guitars...a 7620 and a presige XL model. The craftsmanship was not very go on either one. Any way...there are sublte but important differences when playing the seven string. One I noticed when I went to work practicing scales and modes and then on to soloing with it. The extra string adds to the width of the area you need to mute when playing. This takes a little doing but does come naturally after a time. I use high gain amps like a Mesa Recto and a 5150. This muting can become an issue when playing intricate lines. If you are not used to the 7 string...alot of noise can leak out of your playing at first. The other small thing is the string tension. Because there is a floating bridge and an added low B, a .056, this added tension is picked up across the other string and results in a stiffer feel when playing. Bends require a bit more "oomph". While these things seem small, and they are, do just think that if you play for a few minutes your ready for the studio...I made that error but very quickly learned to respect the 7 string as its own animal. Now I love it more than ever...in a different way. Cheers!
